Patty Jenkins, the director of the film, spoke out against Mr. Cameron’s charges of objectification.
Plays in London spanning more than a century suggest how much and how little has changed for British women.
At a time when audiences crave female empowerment, she is packing a punch, first in “Mad Max: Fury Road” and now in “Atomic Blonde.”
Gillian Moore, the director of music at the Southbank Center in London, focuses on what is closest to her heart.
Gender inequality remains a problem, but it’s heartening to see playwrights and performers argue for more opportunities.
Women and minority actors and stage managers are getting fewer jobs and often wind up in lower-paying shows, according to a new study by Actors’ Equity.
The Roundabout Theater Company’s production, directed by Anne Kauffman, has a prominently female cast.
Annie Baker and Heidi Schreck wrote an episode of Amazon’s “I Love Dick” that our critic calls the best 20 minutes of television she has seen in years.
A few film directors are trying to change a persistent gender imbalance behind the camera by hiring female-majority crews. The process hasn’t always been smooth.